The Midnight Garden
4th October- 31st December
This exhibition explores the mystery and other worldliness that night brings. It's a little dark, intriguing, a little bit glorious! We'll take you to a place where a change in light and tone reveals new ways of seeing.
Featuring Tim Southall, Victoria Brookland, Josie-Beszant and Adele Karmazyn amongst others.
Featuring Tim Southall, Victoria Brookland, Josie-Beszant and Adele Karmazyn amongst others.
Tim Southall
Tim was born in Staffordshire and grew up on the edge of the heavy industrial heartlands of the Black Country. He studied Fine Art at Northumbria University and then printmaking at the Royal College of Art and l’école des beaux art, Paris. Based in London for twenty years, he taught at University level while maintaining a career as a professional artist before leaving the teaching profession and concentrating solely on making art. For the last 23 years he has been based in Cadiz Province in southern Spain, where he makes most of his work, which is a combination of etchings, silkscreen prints and monotypes. Tim is an elected member of the Royal Society of Painter-Printmakers.
"My work is figurative and generally uses a narrative framework to explore themes of our shared history, often with a strong character and emotional resonance. I enjoy playing with metaphor, scale and perspective, and creating images that at first seem intrinsically simple, but on closer inspection are complex. My creative process reflects everyday life experiences which are often re-interpreted in an otherworldly context."
"My work is figurative and generally uses a narrative framework to explore themes of our shared history, often with a strong character and emotional resonance. I enjoy playing with metaphor, scale and perspective, and creating images that at first seem intrinsically simple, but on closer inspection are complex. My creative process reflects everyday life experiences which are often re-interpreted in an otherworldly context."
Golden Age- Tim Southall
£340.00
Etching & aquatint in edition of 75
Image size 30 x 30 cm
Paper size 40 x 40 cm
'Golden Age' is a narrative etching which depicts some of the key events and figures of the English renaissance period. Through a series of vignettes a number stories interlace to create an exciting visual feast.
Dance Macabre- Tim Southall
£425.00
Etching & aquatint in edition of 75. Framed.
Image size 30 x 40 cm
Paper size 42 x 52 cm
Danse Macabre is an artistic genre of allegory begun in the Late Middle Ages and reflects upon the universality of death. These pieces were produced as memento mori, to remind people of the fragility of their lives and how vain were the glories of earthly life. Following this tradition, Tim has produced an image of other worldliness, shadows, darkness, and mystery, fused with a vibrant party rhythm.
Enlightenment- Tim Southall
£340.00
Etching & aquatint in edition of 75. Framed.
Image size 30 x 30 cm
Paper size 40 x 40 cm
The Age of Enlightenment was an intellectual and philosophical movement that occurred in Europe in the 17th and 18th centuries, with global influences and effects. The Enlightenment included a range of ideas centered on the value of human happiness, the pursuit of knowledge obtained by means of reason and the evidence of the senses, and ideals such as natural law, liberty, progress, toleration, fraternity, constitutional government, and separation of church and state. It was also an age of very big frocks and hair, and satire.
Circle of Life- Tim Southall
£425.00
Sold out
Etching & aquatint in edition of 100. Framed.
Image size 30 x 40 cm
Paper size 42 x 52 cm
The Circle of Life is a large narrative etching which portrays many aspects of life, from cradle to grave. Drawn on a copper plate, this print is a visual story which unfolds in an imagined magical landscape. Here many different figures and animals features in a number of vignettes each of which contribute to an overall story.
This print is drawn on a copper plate. It is printed on Somerset Velvet, an off-white heavyweight 300 gsm handmade paper.
A Tale of London - Tim Southall
£340.00
Limited Edition Etching and Aquatint by Tim Southall. Framed.
Image size 30 x 30 cm
Paper size 42 x 42 cm
A Tale of London’ is a narative print exploring some key events of the High Middle Ages in London, both fact and fiction. The story begins with Dick Whittington and his cat, which has been aggrandised to a leopard reflecting both the legendary prowess of the cat and heraldic symbolism of the leopards of England. From here a number of vignettes take the viewer through a wooded landscape leading to the emerging city itself; a London dominated by The Tower.
Victoria Brookland
In my work I celebrate nature in all its forms - the wild nature outside of us and the wild nature within. Essentially I believe there is no meaningful difference between the two. For many years my work has been inspired by women’s writing and poetry - and more recently I’ve also been studying Zen Buddhism and this has become an increasingly important influence on my work. These beautiful ancient teachings deeply explore our interconnectedness with nature in a way that is quite revolutionary to western thinking. Buddhist philosophy challenges current dominant western ideologies and also offers perspectives that are highly relevant to our current environmental challenges. It is inherently’green’.
In my work I’ve also always been interested in routes to freedom - investigating ways that we can live true to our own natures rather than being forced into accepting societal norms.
I’ve always believed that our connection to nature can be both healing and spiritually nourishing and this is in harmony with Zen perspectives on inter-being and non-duality. The sense that nature is a refuge and also a source of joy and peace is central to my life and work. I see my work as part of a Romantic tradition that has a love of nature - and being true to our own natures - at its core.
In my work I’ve also always been interested in routes to freedom - investigating ways that we can live true to our own natures rather than being forced into accepting societal norms.
I’ve always believed that our connection to nature can be both healing and spiritually nourishing and this is in harmony with Zen perspectives on inter-being and non-duality. The sense that nature is a refuge and also a source of joy and peace is central to my life and work. I see my work as part of a Romantic tradition that has a love of nature - and being true to our own natures - at its core.
Adele Karmazyn
Adele is a York based Digital Photomontage Artist. Her process involves scanning 19th century photographs and extracting the characters from the past and relocating them to a timeless imaginary place. She intertwines her subjects with her own photographs, drawings and paintings (using Photoshop) to build new worlds and to tell a new story. The images are then Giclee printed and hand-finished using Oils and gold leaf.
Adele studied for her B. A. (Hons) Degree in Textile Art at Winchester School of Art. After a short spell working for an interior magazine in London, and extensive travels around the world, she settled in the historic city of York. Adele is mostly self-taught in the digital field although she has completed a course in Desk Top Publishing, Photoshop and also has a diploma in Children's book illustration where she was awarded a distinction. It was after this that she turned to using her camera and Photoshop creatively.
Adele studied for her B. A. (Hons) Degree in Textile Art at Winchester School of Art. After a short spell working for an interior magazine in London, and extensive travels around the world, she settled in the historic city of York. Adele is mostly self-taught in the digital field although she has completed a course in Desk Top Publishing, Photoshop and also has a diploma in Children's book illustration where she was awarded a distinction. It was after this that she turned to using her camera and Photoshop creatively.
Josie Beszant
Josie is a collage and mixed media assemblage artist based in Masham and is also the owner of Masham Gallery.
Josie often uses layers of paper, fabric, found objects, meaning and metaphor in her work to tell stories.
Josie often uses layers of paper, fabric, found objects, meaning and metaphor in her work to tell stories.
