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This is a very common question here!
There’s not one answer but here’s a short summary. Masham Gallery is in a rural area of the Yorkshire Dales and much of the wall hung work we sell represents that in some way. It’s not always literal but we are interested in the atmosphere, the wild, light and landscape that surrounds us throughout the changing seasons. We are keenly interested in stories, all sorts of stories, and so many things are displayed with stories and much of the work has a narrative feel about it. It’s good to know how a work has come about, the inspiration and tale behind it. When an artists work has these connections we feel more drawn to it and know we can do it justice here. Every year we choose a number of themes for exhibitions - in 2024 for example we have “The River Runs Through” and “The Midnight Garden” both referring to nature and the cycles of the weather and the year. The artists that show in both exhibitions won’t necessarily show work that is literal rivers or gardens but you will see their interpretation of the titles. We like to have long term relationships with artists if possible, so we will often look at the artists we know first and invite them to participate in a show if it fits their work. We also come across artists all the time at open studios, fairs, instagram and by recommendation. Every year we approach a few of these too. We look for work that’s really well crafted, where the artist knows their style, has a consistent pricing, is presented beautifully and has something really special about it. We also like to work with really lovely humans and that’s a really big part of it too. We look for people who are mutually supportive - we want ideally to be able to share each others successes and stories. We get applications from artists to sell here all the time and very very occasionally one of those will be shown, but unfortunately many of the applications are sent without much reference to Masham Gallery. There are a few areas which we know a lot about, and over the years we have come to specialise in a bit - one of these is printmaking. At the moment looking around the walls I can see seven different types of printmaking! As for subject matter we tend to avoid seascapes, we don’t sell many urban landscapes or much purely figurative art. We don’t tend to sell photography or digital art so much, and we’ve never found a textile artist that works really well here - but we never rule anything out. So if you’re an artist here are a few top tips for applying to a gallery:
If you would like a more comprehensive friendly hand up or support in your creative business our Artist Mentorship programme might be right for you: https://www.happyhousemasham.com/artist-development-mentorship.html
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In tribute to the excellent BBC4 programme What Do Artists Do All Day we have got an occasional feature on our blog looking at what the artists we know do with their days...it's often not quite what people expect. Today we're starting with in-house artist Ian Scott Massie. Scott is particularly interested in portraying the personality of a landscape in paint or screen print He's influenced by artists such as Paul Nash, John Piper as well as poets and songwriters. He also collects stories and folklore about places as well as writing poetry. You'll find these writings and art juxtaposed in his books. As well as supplying work to a small number of galleries he tends to work on larger scale projects that often include writing and organising exhibition tours.
MG:What is your favourite kind of day as an artist? ISM: My favourite days are when I’m beginning work on a new exhibition. But I don’t always leap in action, brush in hand. I’ll kick off the day with a session of yoga in the garden or, even better, a set of tennis with a friend. If I’m travelling, which is one of the great pleasures of being a landscape artist, I like to get to locations early. If there’s nobody about, particularly if I’m visiting somewhere touristy, I have more freedom. I can find the best angle by climbing on a wall, standing under a bridge or, occasionally, blagging my way into somewhere private with a great view. This kind of research is tiring but, fortunately, over the years I’ve developed a sixth sense for finding a decent cup of tea. If I’m working in the studio I like to warm up by painting a few possible beginnings for pictures. They may evolve into something, but often they’re just a way of getting into gear. That done, I’ll draw for a while, getting to know the subject I’m thinking of painting and then I’ll tape some watercolour paper to a board, paint the sky and leave it to dry. Music is very important to me (I trained as a musician) and it really affects how I work. A late Beethoven string quartet is a great accompaniment for a complex piece of architecture but, if its a lively, expressive landscape the Beatles, Stones or Bob Dylan usually seem to help the work along. Sometime in the afternoon I’ll knock off and take a walk round the market place outside or further afield and then have a cuppa with Josie (my wife and owner of Masham Gallery). The evening often involves some red wine and I’ll sometimes read about somewhere I’m researching, usually with a cat on my lap. I love to find legends about my subjects - it often adds another of meaning layer to the picture. Then its early to bed and up with the lark again!
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Josie BeszantHello! welcome to the once a month (hopefully!) blog about reflections on running Masham Gallery and what it means from a personal perspective. I hope to get some guest bloggers in at a later date too. All feedback is welcome, thanks. Archives
April 2024
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